When we’re talking about hip hop, New Zealand isn’t always (well hardly ever) at the forefront of discussion. The fact of the matter is, try as they might, for a small and distant country surrounded by ocean, recognition is bound to come with some difficultly. But Auckland native David Dallas, recipient of the “Best Hip-Hop Album” award for his debut album Something Awesome, and deservedly so, is a promising, driving force in changing that for the better.
His second full-length, The Rose Tint, a release through Duck Down records, does a good job of showcasing just how he plans to do so. Raw, resolute, yet unruffled lyricism, comparable to that of Versis, accompanied by more radio-friendly instrumentals, predominately from Fire & Ice in this one, that provide aid in carrying the album to the broader audience that he much appreciates. In the guest verse department, we have the likes of Freddie Gibbs and Buckshot. Basically, this guy should be on your radar if he wasn’t already. Let’s have a walk-through anyway.
A soulful sample of The Ebonys’s “A Love of Your Own” kicks off the project. In “Start Looking Around,” Dallas states his distaste for some things, specifically a past relationship that held him down, but brings a self-assured, bold attitude.
“Now I’m up in my zone feeling like a motherfucking cyclone, I can do whatever I set my sights on”
“Take a Picture” is one of the more notable songs on the album, centered on his soon-to-come ascension into the spotlight. Freddie Gibbs puts forward a well-written verse in “Caught in a Daze” which to me is reminiscent of a laid-back Curren$y track (all of them.) Admirably, even in such a nonchalant track, Dallas seems to enjoy making use of his wit while crafting rhymes. “Nothing to Do” features Pieter T on the chorus, and revisits the desolate relationship that David had the unpleasant task of having to endure. “Til Tomorrow” is perhaps my favorite song on the album, for its catchy (some credit to Ratatat for that) and optimistically succinct nature. “Ain’t Perfect” continues the relative optimism, and leads on to “Sideline” with Che Fu. This one will be resonant among angst-filled teens, as it highlights the frustration Dallas had in adolescence with being in his prime, but too afraid to step out of his safety zone. “Postcard” is a dedication to his father. Dallas says he’ll make it big for him, the same dad who thought that hip hop was a temporary fad. Upon listening to “Make Up,” one thing I’d finally noticed is that Dallas’ verses are quite authentic and imperviously uninfluenced by some other well-known rapper, which many other up-and-coming emcees have an inclination to do lately. Following through with this, he finishes off with “Ain’t Coming Down” alongside Buckshot.
In conclusion, The Rose Tint consists of well-written verses, memorable choruses, and is gift-wrapped and readied by David Dallas’ unswerving flow. David possesses a certain steadfastness for his music, and this is audibly recognizable throughout the album. So, the question it ultimately all comes down to… Worth a spin? My answer would be yes.