QuESt – Fear Not Failure (2012)


If I asked a group of hip-hop fans to name their favorite rappers that debuted within the last five years, there’s a good chance the likes of Kendrick Lamar, Freddie Gibbs, Blu and Big K.R.I.T. would be mentioned a few times. One rapper that deserves to be added to that list is QuESt. In his short career the Miami emcee has proven incredibly versatile, being equally comfortable rapping over 70’s soul samples on ‘Distant Travels Into Soul Theory’ and more traditional hip-hop beats on ‘Broken Headphones’.

For his latest offering, QuESt is using dubstep influenced production which suits his style perfectly. Generally, I’m not a huge fan of this but when it’s done properly the results can be worthwhile. Compared to this year’s other successful elctro-hop album, Chiddy Bang’s Breakfast, which was much more upbeat and party orientated, the sounds on this are more atmospheric and occasionally downtempo, but it still packs a punch with powerful drums over deep, wavy basslines (you will need headphones to fully appreciate this). I can’t think of many other rappers that would suit these beats but his flow (which is somewhat reminiscent of early Jay-Z) is flawless and he has the ability to switch pace in the blink of an eye to keep up with he varying tempo of the beats.

The title, “Fear Not Failure” serves as an underlying theme throughout the tape, as he explores the idea of overcoming fears and learning from your mistakes. This is exemplified by the following quotable at the end of Nothing to Fear;

Even if god came down and said “You know what, this isn’t gonna work out, you should just quit while you’re ahead”, I’d probably still take my chances.

This leads perfectly onto the next track Gambler, which is about doing just that, taking chances even when the odds are “slim to none”. This attitude comes across in a resounding display of confidence, resulting in a level of charisma few can match. Throughout the tape, QuESt delivers thought provoking lyrics and clever punchlines over a wide array of instrumentals, which manage to remain cohesive yet significantly different from one another. FNF is brought to a close with Darkest Before Dawn, which is probably my favorite song on the tape and features another spoken word segment that sums up the concept behind it;

Don’t be afraid to fail. Failure doesn’t keep us away from what we desire in this world. Fear does. Fear is the absence of love. The absence of trust. The absence of belief. It is fear that destroys us. To embrace failure is to embrace growth. It is fear, not failure, that holds us back.

The following bonus track feels almost unnecessary after that conclusion, not to say there is anything wrong with it. It might just be a mixtape, but with all original production and the absence of a hosting DJ, Fear Not Failure feels like a complete album, and is one of the most creative and genre-defying projects I’ve heard in recent years. If you want to hear something new, you certainly won’t regret downloading it for free over at hotnewhiphop.

Best tracks: Darkest Before Dawn, Alone Tonight, Nothing to Fear, One Way
Overall: 89/100

Chiddy Bang – Breakfast (2012)


Breakfast is the highly anticipated debut album from Philadelphia duo Chiddy Bang. After their MGMT inspired single Opposite of Adults became an internet sensation they have steadily been generating quite a buzz and have recruited a sizable fanbase following a number of successful mixtapes and EPs.

This isn’t the type of album that is going to blow you away lyrically. Chiddy doesn’t have any amazing technical abilities and asides from a few clever punchlines, the subject matter rarely strays too far from the cliche topics of girls, partying, weed, haters and “flyness”. This isn’t the end of the world however, he isn’t a bad rapper by any means and chances are you might want to take the occasional break from listening to Aesop Rock and Immortal Technique anyway.

“I got a couple bad bitches, lord pray for me / Look in the mirror, we the shit that they pray to be”

What sets this album apart is the fantastic production from the talented Xaphoon Jones. His production style is derived primarily from indie-pop samples laced with electronic synths. The idea of merging electronica and hip-hop has been attempted (rather unsuccessfully) before by the likes of Blu, Lupe Fiasco and B.o.B. but this might just be the first album that it has actually worked on. The production is very creative and demands the listener’s attention on every song, combined with the incredibly catchy hooks this gives each track an energy that keeps going throughout the album.

Breakfast is exactly what it sets out to be, a fun electro-hop album that sounds great and can appeal to a wide variety of listeners. Essentially, this is what all mainstream rap should be like. At 45 minutes long it is short and sweet, a wise decision as it stops short of becoming repetitive as it may have done if it were much longer, resulting in an easy and very enjoyable listen. Overall, this is a great debut effort from Chiddy Bang and gives us reason to be hopeful for what else they might cook up in the future.

Best tracks: Talking to MyselfMind Your MannersOut 2 Space, Ray Charles
Overall: 80/100

Bibio – Ambivalence Avenue (2009)


Avant-garde, idiosyncratic, uplifting, and at some points, disheartening. These would be the words that best depict Bibio’s outlandish take on music, heavily influenced and slightly emulatory of Boards of Canada. Though he is not by any means an artist to spearhead an entirely new movement, he constructs his own identity extremely well.

Steve Wilkinson’s 2009 release, Ambivalence Avenue, is his first with the reputable Warp Records. With this comes slight alteration of his music, abandoning his previous style, which may have been considered tedious by some, and taking a new, experimental approach. With no lack of articulating ability, he ventures through a number of genres and generations of music, creating something unconventional and unexpected in a deeply digitally woven, yet nostalgia-spawning way.

The album starts off with the title track, which serves a crucial role of introducing us to many of the ambient, euphoric, and seemingly re-occurring sounds this album has to offer. Those sounds celestially contrast with others that sport electronic basslines, through exceptional transitions. The title track leads on to “Jealous of Roses,” a track with a beautiful 70’s feel to it, and a coalesce of funky samples. The more gritty, yet equally satisfying tracks, like “Fire Ant” and “Sugarette,” could easily be possible Madlib or Dilla cuts. “Haikuesque (When She Laughs)” sports a bit of low-fidelity folk. “Lover’s Carvings” is host to an uplifting atmosphere, although the first minute or so was, in my opinion, a little dull. Soulful is “Abrasion” and even more so, “The Palm of Your Wave,” which both muster feelings of great despair. “S’vive” brings a more choppy sound, and “Cry! Baby!” is another especially saddening and touching song. The album comes to fitting close with the eccentric “Dwrcan.”

In conclusion, from harsh, 8-bit moments to halcyon, soothing tunes, Ambivalence Avenue is a work of art. It’s most definitely worth a listen (or ten.) Although there wasn’t a track that I didn’t enjoy, stand-outs on the album were Jealous of Roses, Fire Ant, and Haikuesque.

Overall: 91/100